Non WNCLN Citations

Anderson, John David. The Sacred Harp: Certain Historical Considerations. M.M. Thesis: University of Cincinnati, College Conservatory of Music, 1961. NON WNCLN.

Anderson, Rick. The Kentucky HarmonistA Possible Source for Tunes Used in the Kentucky Revival, 1800-1805. M.M. Thesis: University of Cincinnati, 1994. NON WNCLN.

Atwell, Shirl J. A Musical Analysis of Fifteen Southern Folk Hymns. M.M. Thesis: University of Louisville, 1976. NON WNCLN.

Beisswenger, Drew. Singing Schools in South Central Kentucky. M.A. Thesis: Western Kentucky University, 1985. NON WNCLN

Blair, Judson. Christian Harmony (Ingalls). Unpublished research paper.  Music Library: Southwestern Baptist Theological Seminary, Fort Worth, Texas, 1963. NON WNCLN

-- Tune-Books in America, 1712-1865. Unpublished research paper. Music Library: Southwestern Baptist Theological Seminary, Fort Worth, Texas, 1963. NON WNCLN

Blum, Beula B. Solmization in Nineteenth-Century American Sight-Singing Instruction. Doctoral Dissertation: University of Michigan, Ann Arbor, MI, 1969. NON WNCLN

Boyd, Joe Dan. “Negro Sacred Harp Songsters in Mississippi.” Mississippi Folklore Register (5), p. 60-83, 1971.  NON-WNCLN.

Britton, Allen P. “The Original Shape-Note Tune Books.”  Studies in the History of American Education, Ed. Claude Eggertsen. Ann Arbor: University of Michigan School of Education, 1947. NON WNCLN

Brown, Don.  Easy Instructor (Little and Smith). Unpublished research paper. Music Library: Southwestern Baptist Theological Seminary, Fort Worth, Texas, 1965. NON WNCLN

Brumley, Albert E. All-Day Singin' and Dinner on the Ground. Camdenton, Missouri: Albert E. Brumley and Sons, 1972. NON WNCLN

Bultmann, Phyllis W. Everybody Sing: The Social Significance of the Eighteenth-Century Hymn. Ph.D. Dissertation: University of California, Los Angeles, CA, 1950. NON WNCLN

Burnett, Madeline Land. The Development of American Hymnody, 1620-1900. M.M. Thesis: Southern California University, Los Angeles, CA,1946. NON WNCLN

“Chronological History of "The Sacred Harp". National Sacred Harp Newsletter (3), 1988. NON WNCLN

Cobb, Buell E., Jr. “The Sacred Harp of the South: A Study of Origins, Practices, and Present Implications.” Louisiana Studies (7), p.107-121, 1968. NON-WNCLN

--The Sacred Harp: An Overview of a Tradition. M.A. Thesis: Auburn University, Auburn, AL, 1969. NON-WNCLN

Cowell, Sidney R. “The "Shaped-Note Singers" and Their Music.” Score and I.M.A. Magazine (12) p. 9-14, 1955. NON-WNCLN

Crouse, D. L.  The Work of Allen D. Carden and Associates in the Shape-Note Tune-Books, The Missouri Harmony,Western Harmonyand United States Harmony. Doctoral Dissertation: Southern Baptist Theological Seminary, Louisville, KY, 1972.  NON WNCLN

Cross, Virginia Ann. The Development of Sunday School Hymnody in the United States of America, 1816-1869. D.M.A. Thesis: New Orleans Baptist Theological Seminary, New Orleans, LA, 1985. NON WNCLN

Dalton, James S. “Ritual and Revival: The Kentucky Camp Meeting Revivals as Ritual Forms.” Paper presented at the American Academy of Religion: Chicago, November 9, 1973. NON WNCLN 

Daniel, Harlan. Abstract for, "From Shape Notes to Bank Notes: Milestones in the Evolution of White Gospel Music." Presented at the meetings of the Popular Culture Association, Chicago, April 27, 1976. NON WNCLN

-- “Peripheral American Hymnody: A View of History from the Back of the Brush Arbor.” Paper presented at the Symposium on Rural Hymnody, Berea College, Berea, Kentucky, April 27-29, 1979. Housed at the Archives of the Hutchins Library, Berea College, 1979. NON WNCLN

De Burgos, Francis. The Singing School in Early America. Ph.D. Dissertation: Detroit Conservatory of Music, 1930. NON WNCLN

DeLong, Richard. “Fasola Singing: Its History and Traditions.” National Sacred Harp Newsletter 1(June), 1985. NON WNCLN

--“The History of the Sacred Harp Book.” National Sacred Harp Newsletter (Pt. 1, July; Pt. 2, August), 1985.  NON WNCLN

Eiseman, David. “The Better Music Movement on America's Northwest Frontier.” Sonneck Society Newsletter (4/1), p. 13-14, 1978. NON WNCLN

Ellinwood, Leonard. “Singer's Glen--A Plea for the Local History of Music.” American Guild of Organists' Quarterly (2/4), p. 138-39, 1957. NON WNCLN

Elliott, Alberta Swain. Gospel Hymnody in Eastern North Carolina. M.Mus.Ed. Thesis: Hartt College of Music, University of Hartford, 1970. NON WNCLN

Eskew, Harry L. The Life and Work of William Walker. M.S.M. Thesis: New Orleans Baptist Theological Seminary, 1960. NON WNCLN

Fulling, Katherine Painter. “Singers of the Soil: Including the Fascinating Story of "Buckwheat" or "Shaped" Notes.” The Etude (57/August), p. 501-502, 1939. NON WNCLN

Gilfillan, John Alex. Singing-Schools in America. Master of Music Education Thesis: Eastman School of Music, University of Rochester, Rochester, NY, 1939.  NON WNCLN 

Gilson, F. Howard. The History of Shaped or Character Notes: With Specimens. Boston: F. H. Gilson, 1889. NON WNCLN

Hall, James William, Jr. The Tune-Book in American Culture, 1800-1822. Ph.D. Dissertation: University of Pennsylvania, Philadelphia, PA, 1968. NON WNCLN

Hamm, Charles. “Patent Notes in Cincinnati.” Bulletin of the Historical and Philosophical Society of Ohio 16:293-310, 1958. NON WNCLN

Hammond, Paul G. A Study of The Christian Minstrel (1846) by Jesse B. Aikin. Master's Thesis: Southern Baptist Theological Seminary, Louisville, KY, 1969. NON WNCLN

Henry, Thomas L. “The Singing School at the Ephrata Cloister.” Keystone Folklore Quarterly (11), p. 203-6, 1966. NON WNCLN

Hobbs, John Marion. Development of Singing Schools. Master's Thesis: Northeast Missouri State Teacher’s College, Kirksville, MO 1955. NON WNCLN

Horn, Dorothy D. A Study of the Folk-Hymns of Southeastern America. Ph.D. Dissertation: University of Rochester, Rochester, NY, 1953. NON WNCLN

--“Sacred Music of the Singing Schools.” Church Music (1), p.11-15, 1976. NON WNCLN

Jackson, George Pullen. “The Fa-Sol-La Folk.” Musical Courier (93/11), p. 6-7, 10, 1926. NON WNCLN

--“Early Musical Activities in Tennessee.” Paper presented at the meetings of the East Tennessee Historical Society, Knoxville, Tennessee, October 7, 1932. NON WNCLN

--“ Early American Religious Folk Songs.” Proceedings of the Music Teachers Association (29), p.74-79, 1934.  NON WNCLN

Judkins, Edith M. The American Singing School and Its Terminating Activities in the North. M.A. Thesis: Tulane University, New Orleans, LA, 1953. NON WNCLN

Kennedy, Philip H. “One Half Century of the Christian Harmony and Harmony, North Carolina, Camp Hill Sings.” Paper presented at the meetings of the American Folklore Society, Atlanta, 1969. NON WNCLN

Kettering, Eunice Lea. Sacred Folk Songs of the Southern Appalachians. M.S.M. Thesis: Union Theological Seminary, New York, NY, 1933. NON WNCLN

King, Carl Darlington. Charles Faulkner Bryan: Tennessee Educator and Musician. M.S. Thesis: University of Tennessee, Knoxville, TN, 1965. NON WNCLN

Ladabouche, Paul Arthur. The Contribution of Our Southern Pioneers to American Church Music. M.A. Thesis: Boston University, Boston, MA, 1938.  NON WNCLN

Lawrence, Sharon S. A Look at a Final Generation: The Shape-Note Singing School Tradition in South Central Kentucky. Master's thesis: Eastern Kentucky University, Richmond, KY, 1982. NON WNCLN

Lazenby, C. “Shaping Music.” Kentucky Sampler: A Book of Alabama Lore, Ed. Elaine S. Katz. Northport, Alabama: Chamber of Commerce, 1975. NON WNCLN

Lorenz, Ellen Jane. “Two Hundred Hymn Stories.” Reprinted from "The Hymn-Lovers Corner," a monthly column in the Choir Leader and the Choir Herald. Dayton, Ohio: Lorenz Publishing Company, 1941. NON WNCLN

--The Devil's Good Tunes: The Secular in Protestant Hymnody. Typescript: Southern Baptist Theological Seminary, Louisville, Kentucky, 1973-1978. NON WNCLN

--Nineteenth-Century American Songs and Hymns as a Reflection of the Romantic Movement. Typescript: Southern Baptist Theological Seminary, Louisville, Kentucky, 1973-1978. NON WNCLN

--“A Folio of Pages from Early American Songbooks.” Church Music (1), p.38-40, 1976. NON WNCLN

Lowens, Irving. “Tunebooks, Tunesmiths, and Singing Schools.” Etude 74 (11), p.20, 59, 62-64, 1956. NON WNCLN

Maples, Maria Ellen. “A Study of the Theory and Practice of Four-Shape Tunebooks of the Nineteenth Century with a Detailed Analysis of Alexander Johnson’s Tennessee Harmony.” Doctoral Dissertation: University of Cincinnati, Cincinnati, Ohio, 1997. NON WNCLN

Marian-Balasa, Marin. “Performing Religiousness through Joyful Noise and Playful Order: Notes on Shape Note Singing.” European Meetings in Ethnomusicology (10), 2003.  NON-WNCLN.

McNaught, W. G. “The History and Uses of the Sol-Fa Syllables.” Proceedings of the Royal Musical Association(19/January), p. 35-51, 1893. NON WNCLN

Miller, Terry E. Alexander Auld and American Shape-note Music. MM Dissertation: Indiana University, Bloomington, IN, 1971. NON WNCLN

Morrison, Charles Edwin. Aldine S. Kieffer and Ephraim Ruebush: Ideals Reflected in Post-Civil War Ruebush-Kieffer Company Music Publications. Ph.D. Dissertation: Arizona State University, Tempe, AZ, 1992. NON WNCLN

Nafziger, Jeremy. “Virginia's Tradition of Harmonia Sacra Sings: "No Frequency of Use Can Wear Out These Venerable Airs".” Gospel Herald: The Weekly Magazine of the Mennonite Church (87/No. 31, August 2), p. 6-7, 1994.  NON WNCLN

Olson, Ted. “The Voices of the Older Ones’: The Sacred Harp Singing Tradition of Calhoun County, Mississippi.” Mississippi Folklore Register (25/26), p. 11-29, 1991/1992. NON-WNCLN. 

Pen, Ron. “Triangles, Circles, Squares, and Diamonds: The Fasola Folk of Kentucky. “ Appalachian Magazine (12/2), p. 32-34, 1995. NON WNCLN

Richardson, Thomas J. “Daddy’s Shaped Notes: A Review of Sacred Harp Traditions.” Mississippi Folklore Register (13), p. 45-51, 1979.  NON-WNCLN

Rosewall, R. B. Singing Schools of Pennsylvania, 1800-1900. Doctoral Dissertation: University of Minnesota, 1969. NON WNCLN

Scholten, James W. The Chapins: A Study of Men and Sacred Music West of the Alleghenies, 1795-1842. Ed.D. Dissertation: University of Michigan, Ann Arbor, MI, 1972. NON WNCLN

Shaw, Liz. “The Christian Harmony Master: Quay Smathers.” National Sacred Harp Newsletter (1/February), 1986. NON WNCLN

Siltman, Bobby Lawrence. The Three-Voice Folk-Hymns of William Walker from Southern Harmony. M.M. Thesis: Hardin-Simmons University, Abilene, TX, 1963. NON WNCLN

“The Singing School Master.” Message Bird 37:609, 1851. NON WNCLN

Smith, Timothy Alan. The Southern Folk-Hymn, 1802-1860: A History and Musical Analysis, with Notes on Performance Practice. Ph.D. Dissertation: California State University, Fullerton, CA, 1981. NON WNCLN

Stanislaw, Richard J. Choral Performance Practice in the Four-Shape Literature of American Frontier Singing Schools. Doctoral Dissertation: University of Illinois at Urbana-Champaign, 1976. NON WNCLN

Steel, David Warren. “Lazarus J. Jones (1816-1897): Mississippi's First Folksong Collector.” Paper presented to the Society for Ethnomusicology, Southeast and Caribbean Chapter, and to the Mississippi Folklore Society, Biloxi, Mississippi, 1985. NON WNCLN

--“Men of Rough Exteriors: The Biographies of Southern Tunebook Compilers.” Paper presented to the Sonneck Society, Pittsburgh, 1987. NON WNCLN

-- “John Wyeth and the Development of Southern Folk Hymnody.” Music from the Middle Ages through the Twentieth Century: Essays in Honor of Gwynn S. McPeek, p. 357-374. New York: Gordon and Breach, 1988. NON WNCLN

--“Sacred Harp Singing Today: A Cultural Geography.” Lecture presented to the Church Music Symposium, Mercer University, Atlanta, 1988. NON WNCLN

Stoutamire, Albert L. “The Music Conventions.” Music of the Old South. Rutherford, New Jersey: Fairleigh Dickinson University Press, p. 216-218, 1972. NON WNCLN

Tadlock, Paula. “Shape Note Singing in Mississippi.” Discourse in Ethnomusicology: Essays in Honor of George List.  Bloomington: Ethnomusicology Publishing, 1978. NON-WNCLN.

Tallmadge, William H.  Religious Folk and Folklike Music in Appalachia. Berea, Kentucky: Berea College Appalachian Center, 1983. NON WNCLN

--“Baptist Monophonic and Heterophonic Hymnody in Southern Appalachia.”  Yearbook for Inter-American Musical Research (2), p.106-36, 1975. NON WNCLN

Temperley, Nicholas. “The Old Way of Singing: Its Origins and Development.” Paper presented at the Symposium on Rural Hymnody, Berea College, Berea, Kentucky, April 27-29, 1979. Housed at the Archives of the Hutchins Library, Berea College. NON WNCLN

Thomas, Georgia Fletcher. The History of the Shape-Note Hymnal from 1800 to the Present. Master's Thesis: Kent State University, Kent, OH, 1969. NON WNCLNC

Titon, Jeff. “Hymnody of the Fellowship Independent Baptist Church of Stanley, Virginia.” Paper presented at the Symposium on Rural Hymnody, Berea College, Berea, Kentucky, April 27-29, 1979. Housed at the Archives of the Hutchins Library, Berea College. NON WNCLN

Wayland, John W. “Joseph Funk, Father of Song in Northern Virginia.” The Pennsylvania German (12/10), 1911. NON WNCLN

Westermeyer, Paul. What Shall We Sing in a Foreign Land? Theology and Cultic Song in the German Reformed and Lutheran Churches of Pennsylvania, 1830-1900. Ph.D. Dissertation: University of Chicago, 1978. NON WNCLN

Wetzel, Richard D. “Some Music Notation Systems in Early American Hymn-Tune Books.” Keystone Folklore Quarterly(12/4), 1967. NON WNCLN

Whitlock, E. Clyde. “Fa-Sol-La-The Music of the Old South.” American Guild of Organists Quarterly (2/July), p. 113-17, 1957. NON WNCLN

Wilcox, Glenn C. “America's Oldest Musical Tradition: Kentucky's Unique "Big Singing".” Bluegrass Music News (23/4), 1972. NON WNCLN

--“Kentucky: Heritage of Greatness.” Paper presented at the meetings of the Kentucky Historical Society, April, 1974. NON WNCLN

--“100th Birthday Greetings to Benton's Big Singing.” Bluegrass Music News (34/4), 1983. NON WNCLN

--“An Abundance of Riches: The Musical Heritage of the South.” Paper presented at the meetings of the Southern Division Convention, MENC, February, 1983. NON WNCLN

--“Notational Variants in Printing American Folk Music.” Paper presented at the meetings of the Mississippi Folklore Society, Oxford, April, 1983. NON WNCLN

--“America's Musical Heritage: A National Treasure.” Keynote Address, National Federation of Music Clubs, National Convention, August 1984. NON WNCLN

--“Propaganda and the American Revolution.” DAR Magazine 118(5), 1984. NON WNCLN

--“Introduction.” The Southern Harmony and Musical Companion, by William Walker, iii-xii. Lexington: University Press of Kentucky. Fourth printing of the 1854 edition, 1987. NON WNCLN

--“A Salute to Kentucky's Bicentennial: 200 Years of Music in the Commonwealth.” Bluegrass Music News 43(3), 1992. NON WNCLN

Wilson, Milbourne O. “Singing Schools and Shape Notes.” Gospel Singing Journal (1/June):7, 1971. NON WNCLN

Wolf, John Q. “The Sacred Harp in Northeast Mississippi.” Mississippi Folklore Register (4), p. 58-62, 1970. NON-WNCLN

Wolfe, Irving. “Our Debt to George Pullen Jackson.”  Minutes of Carroll, Cobb, Coweta, Douglas, Fulton, Haralson, Heard, Paulding, and Polk Counties, Georgia: Sacred Harp Singings, 1965. Dunwoody, Georgia: M. L. Cagle, 1965. NON WNCLN

Wooton, Charles F. Kentucky Harmony. Unpublished research paper. Music Library: Southwestern Baptist Theological Seminary, Fort Worth, Texas, 1963. NON WNCLN


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